The Cold Woman, still holding you up in the air in front of her, quickly turns to the rock wall right beside the two of you and walks right through the mountainside.
Harper Split-Party Thread
Be sure to read and follow the guidelines for our forums.
Jul 19, 2016 6:42 pm
You are surprised at the grace that the Cold Woman's movements maintain in the midst of the chaos of combat. Your attack seemed destined to hit, and her parry seemed supernaturally deft for such a massive weapon. You try to position yourself behind Rhiv, but she follows your retreat. Before you can make any other movements, she reaches out and latches her massive hands to your body, one on your left arm and the other around your neck. As she lifts you off your feet, you're curious how she put the sword away so quickly.
The Cold Woman, still holding you up in the air in front of her, quickly turns to the rock wall right beside the two of you and walks right through the mountainside.
The Cold Woman, still holding you up in the air in front of her, quickly turns to the rock wall right beside the two of you and walks right through the mountainside.
OOC:
I'll give you a chance to react here before I describe the next scene.Jul 19, 2016 6:53 pm
Feeling the mania of possession by a supernatural being, combined with the coolness of detachment from my hidden soul (soulless-ness?) I twist my left wrist in her grasp, attempting to get off a shot at her head, before realizing the crossbow is not loaded. With her hand tightening around my throat I can feel the strength beginning to slip out of my muscles. If those roadmates would tear themselves for my sorry ass, I can't let it ripping end like this! With all my remaining strength I slash my free sword hand at her slim waist, the fire of the blade tearing through the air, or is it stone?
Last edited August 1, 2016 7:10 pm
Rolls
Sabre Slash - (1d20+5)
(3) + 5 = 8
Jul 20, 2016 2:12 pm
You go to flail your sword at her, but the signal from your brain doesn't seem to reach your fingers. Your arm wobbles a bit, maybe even hitting her in the side, but with the flat of the blade and without much force. After your failed sword slash, you notice that she's not actually applying more pressure to your through; it's more of a convenient handle. You get the sense that she could crush your throat if that was her intent.
After a few seconds, you give out a cough and a wheez, which catches her attention. Her grip tightens on your arm; any tighter and you feel like she might just crush the bones in your forearm. She releases your neck, and grabs your sword by the blade with her bare hand and attempts to wrest it from your control.
After a few seconds, you give out a cough and a wheez, which catches her attention. Her grip tightens on your arm; any tighter and you feel like she might just crush the bones in your forearm. She releases your neck, and grabs your sword by the blade with her bare hand and attempts to wrest it from your control.
OOC:
I'll give you a strength saving throw chance to hang on to it, if you want.Jul 20, 2016 6:21 pm
Still functioning primarily on adrenaline, I attempt to hold onto the blade.
Last edited August 1, 2016 7:10 pm
Rolls
Strength Check - (1d20-1)
(5) - 1 = 4
Jul 20, 2016 7:21 pm
She rips the sword out of your weakened grasp, and with her own blood still on it, she slides it into her belt. Throwing you over her shoulder, she begins walking again. As she walks, she keeps you surprisingly steady despite the uneven ground. You notice that you are in a long natural cavern corridor. Periodically you pass a torch sconce, but not regularly enough to light the way well. The ceiling is high, but there are stalactites, and more than once you see one moving away from you that must've come precariously close to your head. The sound of trickling, dripping water and the smell of cold, wet rock confirm you are in a cave system inside the mountain. The vague scent of singed flesh confirms that you and your friends did significant damage to this foe.
After what's likely to be several hundred yards, the Cold Woman turns a sharp corner, and the tunnel becomes more of a hallway, intentionally formed. Walking another hundred yards or so, the hallway opens into a small room. She turns to face the hallway you've just come through, and, while hearing the sounds of ice crackling, you see the room for the first time. Given it's location, it's surprisingly comfortably furnished. There's a pile of animal skin rugs and blankets on the floor. A small padded chair and desk with a quill and inkpot and a few loose pieces of parchment sits in the middle of the room, and a small book shelf and a wardrobe are against the wall on the left. Across the room from you is another door-sized entry way.
The Cold Woman spins around again, and you notice the doorway you just came through is now solid ice.
The gingerly lays you down on the animal skins, and straightens herself. She looks directly into your eyes as a glowing ribbon of light begins to twirl around her, beginning at her feet, and swirling up. It engulfs her briefly, and then glides up to the ceiling, illuminating the room. The woman, in addition to being completely healed of her wounds, looks more like the version of herself that you recognize. In the stern tone of a parent putting their child in time out, she tells you, "You are only a prisoner until I can trust you not to misbehave."
She turns and strides out of the room through the other opening, beginning to build a wall of ice as she approaches the exit. By the time she reaches the doorway, there's just enough room for her to pass through, then it fills in as the ice crystals grow together to form a solid sheet.
You shiver, and notice that you are cold. It is, however, oddly comforting, as it's very much a natural chill since there's no fire in the room.
After what's likely to be several hundred yards, the Cold Woman turns a sharp corner, and the tunnel becomes more of a hallway, intentionally formed. Walking another hundred yards or so, the hallway opens into a small room. She turns to face the hallway you've just come through, and, while hearing the sounds of ice crackling, you see the room for the first time. Given it's location, it's surprisingly comfortably furnished. There's a pile of animal skin rugs and blankets on the floor. A small padded chair and desk with a quill and inkpot and a few loose pieces of parchment sits in the middle of the room, and a small book shelf and a wardrobe are against the wall on the left. Across the room from you is another door-sized entry way.
The Cold Woman spins around again, and you notice the doorway you just came through is now solid ice.
The gingerly lays you down on the animal skins, and straightens herself. She looks directly into your eyes as a glowing ribbon of light begins to twirl around her, beginning at her feet, and swirling up. It engulfs her briefly, and then glides up to the ceiling, illuminating the room. The woman, in addition to being completely healed of her wounds, looks more like the version of herself that you recognize. In the stern tone of a parent putting their child in time out, she tells you, "You are only a prisoner until I can trust you not to misbehave."
She turns and strides out of the room through the other opening, beginning to build a wall of ice as she approaches the exit. By the time she reaches the doorway, there's just enough room for her to pass through, then it fills in as the ice crystals grow together to form a solid sheet.
You shiver, and notice that you are cold. It is, however, oddly comforting, as it's very much a natural chill since there's no fire in the room.
Jul 20, 2016 8:48 pm
I inhale sharply, making myself do so after seemingly holding my breath for hours. The air feels cold and sharp, but not painful, which I expected. It's a welcome surprise. I check myself for wounds as the adrenaline starts to wear off, and the natural coldness of the environment brings me back to a normal state. I force slow breaths to still my heart, even though my hands are still shaking from the cold. Fear attempts a return, but I easily push it down, into my soul that currently feels a million miles away. Like I could never touch it anymore. Like it's not even part of me"Rowena!" She must be inside somewhere, but I know I can't let her out now, or I'd become a statue once more. But still...
The ice bitch's tone was not of anger or hatred. If she wanted me dead why not be done with it? But I don't dwell on the motives of murderous witch-kind. I look for a way of escape, methodically, before surrendering to the inevitable: there is no chink in this icy cell. "Prisoner." The word hung in my memory. "I've been a prisoner for 7 years. Only just now is my body the cellmate of my soul." And I remark again that the chilly fear is gone.
In my pacing I note the papers in the middle of the room. I examine them.
The ice bitch's tone was not of anger or hatred. If she wanted me dead why not be done with it? But I don't dwell on the motives of murderous witch-kind. I look for a way of escape, methodically, before surrendering to the inevitable: there is no chink in this icy cell. "Prisoner." The word hung in my memory. "I've been a prisoner for 7 years. Only just now is my body the cellmate of my soul." And I remark again that the chilly fear is gone.
In my pacing I note the papers in the middle of the room. I examine them.
OOC:
Did she take anything from me other than my sword? Do I still have the affects I would have carried on my person? My crossbow and a few leftover bolts? Cigarettes? Anything?Last edited August 1, 2016 7:11 pm
Rolls
Investigation - Papers - (1d20+1)
(3) + 1 = 4
Jul 20, 2016 10:29 pm
All the writing appears to be in a language that you don't understand. You do however recognize one symbol or letter amidst the many. You saw it somewhere in your upbringing, but can't place it.
What would you like to do?
What would you like to do?
Jul 21, 2016 2:27 am
Seeing as this paperwork holds not use for me, I feel a pang of hunger and take stock of my equipment. All of my main supplies seem to have been lost with the horse - a sudden, sharp pang of grief. But there's no time to process that loss now. I wonder if I'm lying to myself about which loss I'm putting off dealing with. Quick, let's give my hands something to do...
There's one strip of charred venison in a jacket pocket. I eat it all at once, and then light the second-to-last cigarette in the pack. Slowly enjoying the warmth on my lips and lungs, I am surprise to find 6 cards and two crossbow bolts still in the jacket, but no lamp oil. And that's it. But an idea has been kindled...
I load one bolt and holster the crossbow, keeping the other bolt in holster for easy access. I rip a 4 of clubs in half and light it with the cigarette. No sense wasting the face cards this early. I hold the flames against the icy glass which was the doorway I came through, I'll see some water running off of this like normal ice, rather than a magical ice-like spell.
There's one strip of charred venison in a jacket pocket. I eat it all at once, and then light the second-to-last cigarette in the pack. Slowly enjoying the warmth on my lips and lungs, I am surprise to find 6 cards and two crossbow bolts still in the jacket, but no lamp oil. And that's it. But an idea has been kindled...
I load one bolt and holster the crossbow, keeping the other bolt in holster for easy access. I rip a 4 of clubs in half and light it with the cigarette. No sense wasting the face cards this early. I hold the flames against the icy glass which was the doorway I came through, I'll see some water running off of this like normal ice, rather than a magical ice-like spell.
Last edited August 1, 2016 7:11 pm
Jul 21, 2016 2:27 pm
It is indeed actual real-life ice. It does begin to get a bit more wet as you hold the card close.
Jul 21, 2016 2:41 pm
At the first sign of wetness I quickly get to work. I break off one leg of the table, and then shred some blankets into thin strips to create a makeshift torch. I know it won't last long without oil, but it'll have to do. I stuff the torch in my belt, taking care not to get it too wet, as I begin to prepare the fuel. The largest pieces first: the desk gets taken apart for the largest fuel as efficiently as I can, even though there's only so much I can do without an axe or larger tool. I keep the flat top piece of the desk unharmed, however. I use the blade on the crossbow bold to start ripping the blankets and pillows into medium-sized strips, piling them up on top of the desk and away from the icy walls. And finally, the paper: this gets shredded into strips of various sizes for kindling.
I start the first flame on a string of thread with the end of my cigarette, and build from there, creating a small pile on the top of the desk right next to the door I entered. I hope the thickness of the desk will keep the running water off of the fire, and act as a sort of sledge that I can push the fire on through the ice as it melts, if my fuel lasts that long. The fire slowly builds...
I start the first flame on a string of thread with the end of my cigarette, and build from there, creating a small pile on the top of the desk right next to the door I entered. I hope the thickness of the desk will keep the running water off of the fire, and act as a sort of sledge that I can push the fire on through the ice as it melts, if my fuel lasts that long. The fire slowly builds...
Last edited August 1, 2016 7:11 pm
Jul 21, 2016 3:47 pm
I try to melt this thing.
Last edited August 1, 2016 7:11 pm
Rolls
Survival - (1d20+2)
(11) + 2 = 13
Jul 21, 2016 4:19 pm
You are unable to melt through the door. Would you like to describe how and why?
Jul 21, 2016 4:42 pm
The fire is not strong enough to make a significant dent before I run out of fuel. In my frustration I throw the remaining bits against the wet door. I pick up the charred desktop and swing it against the ice, not expecting any progress but a release of anger. The fire has weakened it and the wood breaks against the ice-door into a dozen ashy, wet pieces, no longer good even for a small fire. My cigarette has gone out.
The one that remains I roll gently between my fingers while I take deep, intentional breaths to calm myself. I tuck it back into my shirt pocket. Pacing deliberately but slowly around the room, I look anything at all I could use as a pick-axe, or a weapon with which to defend myself when she comes back, or anything out of the ordinary that I didn't see the first time around. I'll check specifically underneath the blankets and skins that exist no more, looking for a crevice through which I may escape. Although the fear I've lived with for years is not present, it takes effort to keep the anxiety at bay. My urgency increases, looking for anything.
The one that remains I roll gently between my fingers while I take deep, intentional breaths to calm myself. I tuck it back into my shirt pocket. Pacing deliberately but slowly around the room, I look anything at all I could use as a pick-axe, or a weapon with which to defend myself when she comes back, or anything out of the ordinary that I didn't see the first time around. I'll check specifically underneath the blankets and skins that exist no more, looking for a crevice through which I may escape. Although the fear I've lived with for years is not present, it takes effort to keep the anxiety at bay. My urgency increases, looking for anything.
Last edited August 1, 2016 7:11 pm
Rolls
Desk Smash! Strength Check - (1d20-1)
(19) - 1 = 18
Look for ANYTHING - Perception - (1d20+4)
(4) + 4 = 8
Jul 22, 2016 6:12 pm
The desk shatters into a thousand shards of splintered wood, sending pieces, along with your frustration, all over the room. Your search doesn't return anything useful to your plight.
After a few moments, the ice wall leading deeper into the mountain begins retreating, and in comes the Cold Woman, bearing a tray of what look like fairly fine foods. There's even a warm bowl of a creamy stew. She sets the tray down on top of the bookshelf, then waves her arms creating a table and chairs out of ice.
"This behavior of yours is expected, although I had hoped for a bit more civility. I realize I haven't treated you very well. Please enjoy this meal. I would be happy to join you, if I'm welcome. And, I would understand if I'm not."
She folds her hands and waits for a response.
After a few moments, the ice wall leading deeper into the mountain begins retreating, and in comes the Cold Woman, bearing a tray of what look like fairly fine foods. There's even a warm bowl of a creamy stew. She sets the tray down on top of the bookshelf, then waves her arms creating a table and chairs out of ice.
"This behavior of yours is expected, although I had hoped for a bit more civility. I realize I haven't treated you very well. Please enjoy this meal. I would be happy to join you, if I'm welcome. And, I would understand if I'm not."
She folds her hands and waits for a response.
Jul 22, 2016 6:31 pm
At her entrance I am immediately put on guard and, while not yet drawing the crossbow on my belt, I ready my hand as if in a duel, jacket thrown back. My left hand is in front of me, with my last small dagger in it. Every muscle in my body is tense, my soul still dark and distant. It's almost like I'm controlling my own movements like one would command an ox with a whip, or a machine.
Throughout her invocation and invitation, my pose shifts not an inch. Half-a-moment after she's done, however, I realize she has no intent to harm me immediately, and she seems sincere. My weight shifts to my heels, but I do not move. She is going to have to give me more than that.
"Forgive me if I do not relish your company at table," I nearly spit in mock chivalry, "but the first and last time I saw your face my life almost ended." I take a single, deep breath, and then "I would never possess the agency to say this, but for a strange magic that removes the cold fear of you in me. You, witch, have been more than a thorn in my side these 7 years. For your hatred and villainy I have lost not only my father, but the last of my promising youth. You've reduced me to a villain, and there is no fiber of me which does not hate the sight of you. Your presence in this room is as loathsome to me as a corpse, but I would not wish on any deceased an end like I wish for you. Go burn in hell, or whatever pit you crawled out of, you demon snake."
Throughout her invocation and invitation, my pose shifts not an inch. Half-a-moment after she's done, however, I realize she has no intent to harm me immediately, and she seems sincere. My weight shifts to my heels, but I do not move. She is going to have to give me more than that.
"Forgive me if I do not relish your company at table," I nearly spit in mock chivalry, "but the first and last time I saw your face my life almost ended." I take a single, deep breath, and then "I would never possess the agency to say this, but for a strange magic that removes the cold fear of you in me. You, witch, have been more than a thorn in my side these 7 years. For your hatred and villainy I have lost not only my father, but the last of my promising youth. You've reduced me to a villain, and there is no fiber of me which does not hate the sight of you. Your presence in this room is as loathsome to me as a corpse, but I would not wish on any deceased an end like I wish for you. Go burn in hell, or whatever pit you crawled out of, you demon snake."
Last edited August 1, 2016 7:11 pm
Jul 22, 2016 6:52 pm
Although she had genuinely hoped you would want to talk, she doesn't indicate disappointment. Stoic, she hardly moves when she replies. "Very well, Mr. Harper. You may call me Illarastra. When you are interested in learning more about your mother, just call for me."
She turns on her heels and begins out the doorway.
She turns on her heels and begins out the doorway.
Jul 22, 2016 8:40 pm
I may be more stunned at being called "Mr. Harper" than anything else. Only Hope called me that, and largely in a teasing manner. What did she say? Mother? All my muscles relax at once, and the venom in my voice was spent, as I call after her quietly: "Wait... what about my mother?" My voice sounds frail in the large space, and I drop to my knees in exhaustion, my adrenaline utterly spent.
Last edited August 1, 2016 7:11 pm
Jul 22, 2016 10:56 pm
She turns to you, and her face, while still stoic, has softened. "Eat," she says. You detect the slightest hint of compassion in her voice. She sits down in the icy chair across from your place at the new table, folds her hands in her lap, and says softly, "Your mother..." her thoughts seem further away, now. She clearly still has her attention on you, but, also somewhere in another world, another life.
"Well, she was my daughter, for one."
She pulls a plate from the tray and begins building a small sandwich.
"Well, she was my daughter, for one."
She pulls a plate from the tray and begins building a small sandwich.
load next