Sep 2, 2016 7:39 am
[The following is excerpted from The Sim Club, a popular interview program for upcoming media.]
[Lights come up on a set of leather chairs in a stark white void. In one chair, a woman in her late 30’s desperately trying to look younger. In the other, a matrix persona. The persona depicts a young black male wearing a mask. The mask is pure white, with a number 0 printed on it. The woman speaks:]
Alice Madness: -so, for those just joining us, Jones is a member of Seattle art collective Marymoor-- [She's cut off before she can finish.]
Homemade Jones: Redmond.
AM: Excuse me?
HJ: We’re a Redmond art collective. I get it, but without Redmond the group loses its meaning.
AM: Could you explain what you mean?
HJ: Like, the music, the visuals...it’s all rooted in Redmond. The name of the group, Marymoor Park--that was a real park. It’s all smashed storefronts and industrial waste now, but that’s part of the group, too.
AM: How do you mean?
HJ: Like...it’s Redmond. Redmond is hell, but it’s also where I was born. It’s home. Or it should be home, but something’s missing. People don’t go out, don’t talk to their neighbors. There’s church and there’s policlubs, but people barely go to those anymore. People don’t leave their block unless it’s to get high or to rip somebody off.
AM: There’s no community.
HJ: Exactly! Redmond used to be a community, years ago-it was there! Now we got people growing up there, people growing up who’ve never known that community! Oblivi0n, R0semary and me, we’re all too young. All we’ve known is strict parents and stricter curfews. Gang power trips and our breakers constantly tripping. That’s why we all rock the 0. We’ve got an empty integer in our...code, man. [He chuckles dryly.] That sounds corny as hell. We exist to..to try and give the people of Redmond an alternative to the culture that they have now. Something to be proud of, a space to come together in.
AM: For a group looking to foster community, there sure seems to be a...dark current running through your music. The Sim Club’s review noted as much, stating, "Through the eyes of these young artists, urban decay is recontextualized and rechristened, yet it remains unchanged at its core." Do you think your music falls short in that way?
HJ: In what way?
AM: Well, you said you’re looking to rebuild community, but there’s an undeniable bleakness to a piece like "l0ssless", and its accompanying visuals, the ones with the row of business packing up and shutting down.
HJ: OK, first, I didn’t say rebuild or community. Don’t misquote me. [A long silence passes.] So, if I use your example, "l0ssless": that isn’t anything new to people from Redmond. That’s life. It’s not some grand statement, it’s a casual observation. Were not trying to rebuild, we’re trying to build a community out of what’s already there. To create art that allows people where I’m from to share their feelings with each other."
AM: Would you say that your work then is inherently exclusionary?
HJ: Nah, not so much. It’s not made with the people of the world in mind, but it’s valuable to experience something that wasn’t made for you. It provides insight. Context.
[End of excerpt.]
[Lights come up on a set of leather chairs in a stark white void. In one chair, a woman in her late 30’s desperately trying to look younger. In the other, a matrix persona. The persona depicts a young black male wearing a mask. The mask is pure white, with a number 0 printed on it. The woman speaks:]
Alice Madness: -so, for those just joining us, Jones is a member of Seattle art collective Marymoor-- [She's cut off before she can finish.]
Homemade Jones: Redmond.
AM: Excuse me?
HJ: We’re a Redmond art collective. I get it, but without Redmond the group loses its meaning.
AM: Could you explain what you mean?
HJ: Like, the music, the visuals...it’s all rooted in Redmond. The name of the group, Marymoor Park--that was a real park. It’s all smashed storefronts and industrial waste now, but that’s part of the group, too.
AM: How do you mean?
HJ: Like...it’s Redmond. Redmond is hell, but it’s also where I was born. It’s home. Or it should be home, but something’s missing. People don’t go out, don’t talk to their neighbors. There’s church and there’s policlubs, but people barely go to those anymore. People don’t leave their block unless it’s to get high or to rip somebody off.
AM: There’s no community.
HJ: Exactly! Redmond used to be a community, years ago-it was there! Now we got people growing up there, people growing up who’ve never known that community! Oblivi0n, R0semary and me, we’re all too young. All we’ve known is strict parents and stricter curfews. Gang power trips and our breakers constantly tripping. That’s why we all rock the 0. We’ve got an empty integer in our...code, man. [He chuckles dryly.] That sounds corny as hell. We exist to..to try and give the people of Redmond an alternative to the culture that they have now. Something to be proud of, a space to come together in.
AM: For a group looking to foster community, there sure seems to be a...dark current running through your music. The Sim Club’s review noted as much, stating, "Through the eyes of these young artists, urban decay is recontextualized and rechristened, yet it remains unchanged at its core." Do you think your music falls short in that way?
HJ: In what way?
AM: Well, you said you’re looking to rebuild community, but there’s an undeniable bleakness to a piece like "l0ssless", and its accompanying visuals, the ones with the row of business packing up and shutting down.
HJ: OK, first, I didn’t say rebuild or community. Don’t misquote me. [A long silence passes.] So, if I use your example, "l0ssless": that isn’t anything new to people from Redmond. That’s life. It’s not some grand statement, it’s a casual observation. Were not trying to rebuild, we’re trying to build a community out of what’s already there. To create art that allows people where I’m from to share their feelings with each other."
AM: Would you say that your work then is inherently exclusionary?
HJ: Nah, not so much. It’s not made with the people of the world in mind, but it’s valuable to experience something that wasn’t made for you. It provides insight. Context.
[End of excerpt.]
Last edited September 6, 2016 12:57 am