Oct 28, 2024 8:41 am
Ainsleigh sits back and continues watching everyone while Beatrice is singing, and constantly at the ready to meet D's gaze should she decide to look through the window, though refraining from deliberately displaying any particular expressions or attempts at communication.
Once Beatrice is done, Ainsleigh performs a modest applause - neither enthusiastically nor sarcastically, but rather in a balanced and polite manner characteristic of someone who respectfully acknowledges the rivalry and holds no grudge.
And once the group is ready for the next candidate, Ainsleigh begins, sticking to the established plan on the first signthrough, but ready to make iterative adjustments based on D's technical suggestions and the band's reactions to the initial performance.
In any case, here's the base roll, with the usage of Invocations depending on the outcome of the rolls (I might want to save some if I can afford to, or alternatively might need to resort to spending FP, depending.)
Once Beatrice is done, Ainsleigh performs a modest applause - neither enthusiastically nor sarcastically, but rather in a balanced and polite manner characteristic of someone who respectfully acknowledges the rivalry and holds no grudge.
And once the group is ready for the next candidate, Ainsleigh begins, sticking to the established plan on the first signthrough, but ready to make iterative adjustments based on D's technical suggestions and the band's reactions to the initial performance.
OOC:
I only see empty boxes and no modifier on Beatrice's roll. Also, I'm presuming that if we're good to go ahead with the idea of letting D be the one doing the final CaA, then the roll will come after my post instead of before.In any case, here's the base roll, with the usage of Invocations depending on the outcome of the rolls (I might want to save some if I can afford to, or alternatively might need to resort to spending FP, depending.)
Rolls
Rapport - singing
3 Positive, 1 Blank, 0 Negative - Total: +3 (+4) = +7
