Edwyn is likewise impressed by
Gareth's transformation, though unsettled as always: it demonstrates an affinity for the wild, for the forces of birth and transformation, which is deeply foreign to him.
And he feels naked without his mandolin - invoking the magical powers of song without it in his hand, and with it the implied support of his father's line of Bards, feels awkward and strange.
Furthermore the melody will be a challenge. A true song to help a Ranger take aid from a giant hawk should really take its melody from something in the Songs of Earth and Wind. He learned the songs from his father as a boy, but now they connect to painful memories, ones he'd rather not stir up.
But what else to do?
Edwyn grits his teeth, takes the melody from The Battle of the Birds and Bears, and inverts it into a song of aid. The original is a martial tune, but inverting it straightforwardly would be too plaintive, so he augments the minor third and sixth to give it a more optimistic and spirited edge. Drawing deep to invest his unaccompanied voice with more weight than he usually has to, Edwyn sings to smooth the way for
Jon and
Bear to receive
Gareth's aid.
OOC:
I only roll once
Gareth helps
Jon, right?