Just as Dr. Avel finishes speaking, the curtained entrance to the VIP area ripples. A bouncer parts the red velvet, and three figures stride into the room. They are presumably the Alliance representatives, though members of the organization bear no distinguishing uniforms or insignia.
The Alliance is an international group that exists expressly for the purpose of battling the Church of Revelations. It functions as a loose coalition of governments, powerful individuals, and disparate secret societies that have united in a bid for self-preservation. Victory for Leviathan would mean the end of everything as intelligent beings understand it, and so the Alliance has succeeded in securing cooperation from factions, both mundane and supernatural, that would normally never work with one another. Among its impressive roster of members, the Alliance counts many free governments, military contractors, corporations, witch covens, ceremonial lodges, supernatural entities, and even several pantheons of gods. Not to mention the occasional angels and demons.
Two of the newly arrived individuals are dressed as though they've just stepped out of a meeting at a corporate boardroom. Each is sharply attired in the manner of a high-powered business professional. Both clearly put a lot of work into their appearance. One is a young woman, perhaps in her 20s or early 30s, with vaguely Slavic features. Her dark eyes study the room from behind a pair of stylish black-rimmed glasses, and her long dark hair is arranged in a bun with several loose strands hugging the sides of her face. Her light gray business suit is a form-fitting skirt with a white shirt, matching blazer, and Manolo Blahnik black pumps. Those of you who are fashion conscious can appreciate that she's wearing very Italian (and very upscale) brand names. From her perfect eyelashes to her well-manicured nails, the woman is flawlessly groomed, almost to an obsessive degree.
Likewise, the man standing at the woman's side is also young, Caucasian, and impeccably well-dressed. He is tall and slim with short blonde hair, blue eyes, a freshly-shaven face, and a two-piece tweed suit that looks obscenely expensive. The man is handsome in a very metrosexual kind of way. If you had to make a comparison, you could say that he has a passing resemblance to the Swedish actor Alexander Skarsgård.
The third individual, an African American gentleman, walks in last. Whereas the two yuppies plant themselves at the front of the room for all to see, the third man takes a more unassuming position leaning against the wall behind them, arms crossed at his chest. He's taller and more solidly built than the other two, and his attire is distinctly different. Instead of eye-catchingly expensive clothing, the man is dressed like a normal, everyday civilian: denim jeans, boots, and a fleece jacket with a hood. Still, something about his manner makes him seem anything but normal. His posture and bearing are those of someone with a military background, and the way his eyes scan the room indicate a persistent readiness for trouble. He studies each of you with the same wariness a person might give a stray dog of unknown temperament.
The woman waits a few seconds until she's certain that she has everyone's attention. A leather portfolio rests in the crook of her arm. The blond man is standing to her side and just slightly behind her. It's perhaps safe to assume that he's her subordinate or her bodyguard. The woman directs her gaze to the bartender and flicks her chin. Without saying a word, the bartender nods and abruptly leaves the VIP room.
Once none of the club's staff are present, the well-dressed blonde man pulls a stick of white chalk from the breast pocket of his coat. He approaches one of the walls adjacent to the room's curtained entrance and begins drawing on the dark concrete. He sketches a large circle filled with an array of symbols, and does so with the practiced speed of someone who has performed this task hundreds of times. He repeats this activity on each wall corresponding to one of the four cardinal directions - north, south, east, west. All the while, you can hear the man mumbling what sounds like Latin. The smell of chalk dust wafts through the air.
As her companion does his duties, the woman stands quietly without explanation. She eyeballs anyone who looks like they might speak up or interfere with the task at hand. After several minutes of incessant drawing, the man finishes his work and returns to the woman's side. He removes a handkerchief from another pocket and begins rubbing the chalk from his now whitened fingertips.
"Good evening," says the woman. Her tone is dry and business-like.
"Thank you for coming. I'm Nicolette Pope, and this is Luca. We are here on behalf of the Alliance." She neglects to introduce the third man leaning against the wall, though he doesn't seem to particularly care.
OOC:
Roll [1d10 + Intelligence + Occult Knowledge or Magic Theory] if you'd like to identify the markings Luca placed on the walls. You can perform another Perception Test if you want to use your supernatural senses on these newcomers.
Also, those of you who are Alliance members can make a Simple Intelligence Test (1d10 + (Intelligence x 2)) to see if you know anything about Nicolette.