Ezme stops and looks in the direction of the voice. There might be some poor bloke over there, calling for her. Maybe. Maybe not, though. If she tried yelling back, how would they know for sure that it was her? More importantly, how could she convince them to stay together and meet her at the bridge?
The trapper glances back at Wankle. She needed to outwit him and any out there like him, to tap into some sort of cultural understanding that these creatures might be clueless about....
Cultural understanding?? Not exactly her area of expertise, given she is an outsider here....
Ezmaray's mind flits to one of her older sisters. Mindri was something of musician -- only as a hobby, of course, though she was admittedly quite gifted and had become knowledgable enough on the topic to fancy herself an "expert." She liked the sound of her own voice, for sure, and so she frequently harped to others about such topics as musical form and craftsmanship, fancying that she sounded quite elevated when she did so. Thank goodness she'd been married away first. That's all Ezmaray had to say on the matter.
At any rate, when Ezme was home during the summer she would escort Mindri and her other sisters to see the traveling performers whenever they came to town. Some of the tunes she heard on these outings had a sneaky way of worming their way in her head and following her into her reclusion in the wilds, leaving silky, invisible threads that forever tied her back to other human beings.
Today, she would cast those threads out like a fisher of men.
Standing there by the river, gazing at Wankle's sulking form, Ezmaray whistles loud and clear the first popular song she can think of that has a bridge section -- and then she repeats the bridge section, again and again and again.
So these city folk don't know the hunter's trill? Let's see if they know music.